RTSM｜The Eighteen Scenes ：袁武 & Erik JEOR
The Eighteen Scenes | 十八个现场
Reflecting the Sharing Moment | Section Four
2020艺讯网线上展览
2020艺讯网英文版最新线上展览项目“Reflecting the Sharing Moment”（缩写为RTSM）正式开启，第四期“十八个现场”已上线！我们邀请了来自世界各地的艺术家，带来他们在2020的思考和创作。
👇 点击链接回顾往期：
*第三期线上展览“孤岛”特刊已出，后台留言免费订阅
As the last phase of 2020 "Reflecting the Sharing Moment", "The Eighteen Scenes" has shared18 artists/groups' artistic thinking of the year 2020. These scenes cannot fully represent the overall epitome of this year, but they are indeed true representations of some cross-sections.
In this section, we would like to introduce artists YUAN Wu and Erik JEOR, as well as their artistic reflections to the year 2020.
YUAN Wu｜袁武
"Gengzi Diary"
Yuan Wu was born in Jilin City, Jilin Province in September 1959, graduated from the Department of Fine Arts of Northeast Normal University with a Bachelor’s degree in 1984 and then graduated from the Chinese Painting Department of the Central Academy of Fine Arts with a master’s degree in 1995. He successively served as Deputy Director and Professor of the Fine Arts Department at the People’s Liberation Army Academy of Art; Executive Vice Dean and Executive Dean of Beijing Fine Art Academy. In March 2017, he resigned the position of Executive Dean of Beijing Fine Art Academy.
At present, he serves as a member of the Chinese Artists Association and Deputy Director the Chinese Painting Art Committee; professional painter at Beijing Fine Art Academy and researcher at the China National Academy of Painting and enjoys special government privilege granted by the State Council.
Scan the QR Code to View YUAN Wu's Page
扫描二维码进入展览艺术家主页
Gengzi Diary—Spring Light is Finite, Ink on Paper, 235cmx385cm, 2020
“Spring Light is Finite” was created in the spring of this stressful period and lasted more than 60 days. When I arrived in Chengdu for the Spring Festival on January 22nd, 2020, the COVID-19 pandemic began to spread. During this long spring, I have painted all the trivial things that I could see around in the studio, not due to being bored but just to remember. At the same time, I also carefully recorded the invisible or personal experiences that occurred during this spring and should not be forgotten— “The Lockdown of City Wuhan”, “Fangfang Diaries”, “Li Wenliang's Death Due to the COVID-19”, “The Pandemic of Diamond Princess”, “Italian Pandemic”, “New York Outbreak”, “The Pandemic of the World”, “The Lost Contact of Ren Zhiqiang”, and the "The Death Anniversary of Yu Luo Ke", “Zhang Zhixin's Death Anniversary”, “Hu Yaobang's Anniversary of Death” and “Deng Xiaoping’s Death Anniversary”, among other disturbing and depressing issues of the past, the present and the future. This was a catastrophic and eventful spring. This was a worrying spring for state affairs, family affairs, and world affairs.
Gengzi Diary—Spring Light is Finite
Details
One of our daughters and son-in-law were in Australia, one son was in the United States, and one daughter and our granddaughter were in North Eastern Province of China. The care and worries always strike my heart. Fortunately, I was together with my wife during this period. In the days of panic with the pandemic, we lived peacefully in the springtime of Chengdu. I just realized that people in Chengdu were truly free, optimistic and open-minded. This is a warm city, and it is no wonder that Liu Bei established his capital here more than a thousand years ago. I spent a real spring here and witnessed a beautiful process from winter to spring. Although the spring is finite, it is always the spring.
—Yuan Wu
April 18th, 2020
Gengzi Diary—Spring Light is Finite
Details
Erik JEOR
"To miss someone, to lose someone, to retain someone, to cherish something, to fall in love again."
Erik Jeor
Having been born in 1974, Erik Jeor graduated with an MFA from the Royal Institute of Art in Stockholm.
Jeor is represented in collections of Moderna Museet, Malmö Konstmuseum, Sundsvalls Museum, Sveriges Radio and has completed public art work for Karolinska Institutet.
One of Erik Jeor’s heroes and influences is Russian master icon painter, Andrei Rublev. The father/son theme played a role in bringing Erik Jeor into formal art education. A key inspiration for the decision was Rembrandt’s last painting, the Return of the Prodigal Son. Embracing art became like the son returning into the familial fold. Art re-activated Erik and re-directed him, making him “able to be critical towards things that did not work in my life.”
Erik Jeor recalls a scene from Tarkovsky’s biopic of Andrei Rublev, where the army is desperate to make a clock, and can only do so through a ten-year-old boy who had seen his father make a clock. “Being an artist is a bit like that.”(Galerie Ora-Ora)
EDUCATION
MFA, The Royal Institute of Arts, Stockholm Sweden 2006
Ecole Nationale Supérieur des Beaux-Arts de Paris France 2004
SELECTED EXHIBITIONS
2020
Lagom, groupshow at Galerie Ora Ora, Hong Kong, 29.10-18.11
In dialogue with Andrei Rublev, solo exhibition of a new series of etchings presented by Ed-art at Gallery Weekend STHLM 14-15.11
2019
Double take, solo exhibition @ Nordiska galleriet 1921, Stockholm, 10.04-03.05
2018
Nature Speaks I, group exhibition @ Galerie Ora-Ora, Hong Kong, 19.10 - 14.11
Nature Speaks II, group exhibition @ Art021 Shanghai, 9.11 - 11.11
Till hjärtat gående, solo exhibition @ KB, Konstnärshuset, Stockholm 10.10-10.11
Röda singlar, premiere / release, (EP) + performance @ Rönnells Antikvariat, Sthlm
Solo exhibition with Galerie Ora-Ora @ VOLTA NY, New York, 07.03 - 11.03
L´Apesanteur, duo exhibition with Elvire Soyez @ Galleri Benoni, Copenhagen 09.02 - 10.03
Scan the QR Code to View Erik JEOR‘s Page
扫描二维码进入展览艺术家主页
Erik Jeor in dialogue with Andrei Rublev, Video interview in Swedish (with English subtitles, 7:14 minutes), Video made by Elisabeth Blennow Calälv
For twenty years or so, Erik Jeor has lived with Andrei Rublev's icons, wrestled with them, pondered them and sometimes even refused them. But in the encounter with the icons in the soft ground of copper printmaking, something happened that suddenly made them unreservedly enjoyable. He now presents five soft ground etchings, in dialogue with Andrei Rublev's famous icons.
It all started when Erik Jeor found a book with Rublev's icons in an antique shop.
– They hit me, and they still do. I have thought about what it is, that gives the icons such an appeal, and I have concluded that it is because they have both depth and passion. They show what a love relationship looks like; from birth to death. To miss someone, to lose someone, to retain someone, to cherish something, to fall in love again.
– The language of religion offers concepts for things like guilt, death, forgiveness. Even if they have a place in science and philosophy, they are two-dimensional. In the religious experience, they are three-dimensional. I have turned to religion for that reason."
Birth of Christ, Soft ground etchings, Paper size 62x50cm, Print size 40x30cm
Christ washing the disciples' feet, Soft ground etchings, Paper size 62x50cm, Print size 40x30cm
Transfiguration of Jesus, Soft ground etchings, Paper size 62x50cm, Print size 40x30cm
Deposition to the tomb, Soft ground etchings, Paper size 62x50cm, Print size 40x30cm
Trinity, Soft ground etchings, Paper size 62x50cm, Print size 40x30cm
Image, Video and Text Courtesy of the Artists.
Translated and Edited by Sue and Emily/CAFA ART INFO
About the Exhibition
关于展览
The Eighteen Scenes
Reflecting the Sharing Moment | Section Four
2020艺讯网线上展览 | 第四回
Launch Date: 2020.12.30
Participating Artists
(in alphabetical order of surnames):
CHEN Hui, Hannah COOKE, Dadawa, Michael EADE, FEI Jun, Erik JEOR, JIANG Jie, MA Lu, Martina MORGER, Buket SAVCI, Jakub SIMCIK, Elvire SOYEZ, WU Didi, YAO Lu, YUAN Wu, ZHAN Wang, ZHI Min, ZHOU Li
Curator: Emily ZHOU
Visual Design: Yizhi ZHANG
Organizer: CAFA ART INFO
Scan the QR Code to View the Exhibition
or Click "Read More" at the end of this page to Enter the Exhibition Page
扫描二维码或点击“阅读原文”进入展厅
第三期线上展览“孤岛”月刊特刊已上线
👇
免费订阅请后台留言
CAFA ART INFO
英文版
Facebook/Twitter
国际同步全部资讯
@CAFAartinfo
https://www.facebook.com/CAFAArtInfo
https://twitter.com/cafaartinfo
最新国际月刊已出
订阅请留言
版权声明：所有发表于“中央美术学院艺术资讯网CAFA ART INFO” 中英文版(http://www.cafa.com.cn) 及所属微信公众号“中央美院艺讯网”的内容均应受到国际版权条例的保护，未经授权不得擅自转载使用。
如需申请获得合作授权和内容转载许可，可后台留言“转载”，查看细则并留言联系，或邮件联系editor@cafa.edu.cn(中文)/artinfo@cafa.edu.cn (英文)。获得授权使用的转载，并注明“来源：中央美院艺讯网／CAFA ART INFO)。未经许可不得擅自转载或摘录编改文字和图片，违者本网将依法追究责任。
Copyright notice
© CAFA ART INFO, 2020. All Rights Reserved.
All of the information in the various pages of CAFA ART INFO web site and WeChat is issued by CAFA ART INFO (http://www.cafa.com.cn) for public distribution. It is protected under international conventions and under national laws on copyright. For application of cooperative authorization and reproduction permission, please contact editor@cafa.edu.cn(CN)/artinfo@cafa.edu.cn(EN). Any use of information in the web site or WeChat updates should be accompanied by an acknowledgement of CAFA ART INFO as the source, citing the uniform resource locator (URL) of the article. Unlawful copying and re-using parts of our copyright protected texts and images will result in legal action.
微信公众号
CAFA ART INFO
新浪微博
中央美术学院艺讯网
专业学术角度
解读艺术发生
Click "Read More" to Enter the Exhibition Page